Heritage

The CINN implements 3D technologies such as Scanning, Holography, RTI (Reflectance Transformation Imaging) or photogrammetry in Spanish museums to obtain high resolution 3D files that can be used as security element and dissemination of heritage.

3D interactive models

Warrior of the double armor

Half of the 5th century B.C.

Image of warrior with circular shield or caetra. Belonging to the end of the archaic Greek sculpture and beginning of the classical period.

Porcuna deposit, Jaén.
Jaén Museum.

Lady of Elche

V-IV century BC.

Iconic piece of Iberian Spanish art, with a clear influence of Greek art in its manufacture.

Site of La Alcudia, Elche, Alicante.
National Archaeological Museum / MAN.

Tenser of Terracota

With a Pheno-Punic influence, it could represent the goddess Demeter-kore, or the Punic Tanit. Because of its decorative elements it could be dated in the period of the lll or lV a.C. The pebeteros, are strong-drinking vessels, where scented resins or plants were burned, related to the religious and Punic world. We can find stylistic parallels to this piece all along the Levantine coast.

Pyxis of Zamora

Ivory piece made in a single piece with hinge and brooch of snow silver. This delicate carving of floral themes, pavones, gazelles and other birds covers its entire surface. Made in 964 A.D. by Durri-Al-Salir was a present from Caliph AL-Hakam ll to his favorite Subh

Lady of Galera

Alabaster figure discovered in Galera, Granada. The Lady appeared in the Iberian necropolis of Tutugi. It is a Phoenician figurine of the fifth century B.C. It probably represents the goddess Astarte. It shows the Mesopotamian stylistic influence and also an Egyptian in her suit and hair.

Agate Casket

Piece donated in 910 a.c by the infant of Asturias Fruela, son of Alfonso lll el Magno, to the cathedral of San Salvador (Oviedo). It is a rectangular cypress casket covered with embossed gold sheets and adorned with floral themes. 3 mm thick Agate plates are located in its 99 openings of half-point horseshoe arches. Its base is made of solid silver, where the four evangelists and a representation of the Victory cross (made 2 years before) are represented. The top end plate could be a free belt of the Vlll century or a Carolingian reliquary brooch of that date.

Heritage